Calendar

Past Events

Gabriel Jackson (b. 1962) Edinburgh Mass (2001)
Vytautas Miškinis (b. 1954) O sacrum convivium (2000)
Wolfgang Amadeus Mozart (1756-1791) Ave verum corpus
The Gregorian Chant Propers from Graduale Romanum

Harold Darke (1888-1976) Communion Service in F (rev. 1954)
William Byrd (c. 1540-1623) Ave verum corpus
The Gregorian Chant Propers from Graduale Romanum

Josef Gabriel Rheinberger (1839-1901) Messe in Es for double choir “Cantus Missae” (1878)
Jacobus Gallus (1550-1591) Preis, Dank, Lob und Herrlichkeit for double choir
James MacMillan (b. 1959) Data est mihi omnis potestas from The Strathclyde Motets (2007)
Charles Villiers Stanford (1852-1924) Te Deum in Bb (1879)
The Gregorian Chant Propers from Graduale Romanum

In his Second Symphony, Mahler constructs a universe all his own, exploring themes of death and afterlife using a massive orchestra, offstage brass and percussion, chorus and vocal soloists. Estonian conductor Neeme Järvi — whose music-making is “as dynamic and exhilarating as ever” (Chicago Classical Review) — guides the CSO from the great, tragic opening march, through pastoral dances and gentle songs to a final tableau of trumpet calls, percussive thunderbolts and the hymn of resurrection.

Chicago Symphony Orchestra
Neeme Järvi conductor
Mari Eriksmoen soprano
Karen Cargill mezzo-soprano
Chicago Symphony Chorus
James Bass guest chorus director

In his Second Symphony, Mahler constructs a universe all his own, exploring themes of death and afterlife using a massive orchestra, offstage brass and percussion, chorus and vocal soloists. Estonian conductor Neeme Järvi — whose music-making is “as dynamic and exhilarating as ever” (Chicago Classical Review) — guides the CSO from the great, tragic opening march, through pastoral dances and gentle songs to a final tableau of trumpet calls, percussive thunderbolts and the hymn of resurrection.

Chicago Symphony Orchestra
Neeme Järvi conductor
Mari Eriksmoen soprano
Karen Cargill mezzo-soprano
Chicago Symphony Chorus
James Bass guest chorus director

In his Second Symphony, Mahler constructs a universe all his own, exploring themes of death and afterlife using a massive orchestra, offstage brass and percussion, chorus and vocal soloists. Estonian conductor Neeme Järvi — whose music-making is “as dynamic and exhilarating as ever” (Chicago Classical Review) — guides the CSO from the great, tragic opening march, through pastoral dances and gentle songs to a final tableau of trumpet calls, percussive thunderbolts and the hymn of resurrection.

Chicago Symphony Orchestra
Neeme Järvi conductor
Mari Eriksmoen soprano
Karen Cargill mezzo-soprano
Chicago Symphony Chorus
James Bass guest chorus director

Jean Langlais (1907-1991) Missa Misericordiae Domini (1958)
Howard Helvey (b. 1968) O lux beatissima (2002)
William Byrd (c. 1540-1623) Factus est repente à5
The Gregorian Chant Propers from Graduale Romanum

Wolfgang Amadeus Mozart (1756-1791) Missa brevis in C major “Orgelsolo”, K. 259
Charles Villiers Stanford (1852-1924) Coelos ascendit hodie for double chorus (1892)
William Byrd (c. 1540-1623) Psallite Domino à5
The Gregorian Chant Propers from Graduale Romanum

Charles Villiers Stanford (1852-1924) Evening service in C (1909)
Francisco Guerrero (1528-1599) Regina caeli laetare à8

Marc’Antonio Ingegneri (c. 1535-1592) Missa supra Salve Regina à5
Giovanni Battista Dulcino (fl. early 17th c.) Exivi a Patre à8
Peter Philips (c. 1560-1628) Ave Maria à5
The Gregorian Chant Propers from Graduale Romanum

Stéphane Denève, conductor
Hulkar Sabirova, soprano
Judit Kutasi, mezzo-soprano
Russell Thomas, tenor
Adam Palka, bass
St. Louis Symphony Chorus | Benjamin Rivera, guest director

Giuseppe Verdi Requiem 

Stéphane Denève, conductor
Hulkar Sabirova, soprano
Judit Kutasi, mezzo-soprano
Russell Thomas, tenor
Adam Palka, bass
St. Louis Symphony Chorus | Benjamin Rivera, guest director

Giuseppe Verdi Requiem 

Francesco Feroci (1673-1750) Messa in Gisolreut
Pyotr Ilyich Tchaikovsky (1840-1893) The Lord is my shepherd
The Gregorian Chant Propers from Graduale Romanum

Henry Ley (1887-1962) Nine-fold Kyrie
Charles Villiers Stanford (1852-1924) Communion Service in B-flat (1879)
James MacMillan (b. 1959) A New Song (1997)
The Gregorian Chant Propers from Graduale Romanum

Healey Willan (1880-1968) Magnificat and Nunc dimittis, Tones VIII and III (Pub. 1948)
Gabriel Fauré (1845-1924) Cantique de Jean Racine

Herbert Howells (1892-1983) Office of Holy Communion “Collegium Regale” (1956)
James MacMillan (b. 1959) Mitte manum tuam from The Strathclyde Motets (2006)
The Gregorian Chant Propers from Graduale Romanum

Wolfgang Amadeus Mozart (1756-1791) Missa brevis in D, K. 194
Charles Villiers Stanford (1852-1924) Ye Choirs of New Jerusalem (1910)
Healey Willan (1880-1968) Christ, Our Passover
The Gregorian Chant Propers from Graduale Romanum

Giovanni Pierluigi da Palestrina (c. 1525-1594) Sicut cervus
J.S. Bach (1685-1750) Preis und Dank, from Oster-Oratorium, BWV 249
Herbert Howells (1892-1983) Office of Holy Communion “Collegium Regale” (1956)
Everett Titcomb (1884-1968) Christ, Our Passover
The Gregorian Chant Propers from Graduale Romanum